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Two Intersecting Planes

Fishes and birds are Escher’s favorite animals. Or, at least, that is what his work seems to suggest. When he was experimenting with tessellations in the late 1930s, he arrived at these shapes quite soon. They lend themselves very well to the juggling act that is needed for this technique. Which is why they keep popping up in his work. Individually, like in Day and Night, Sun and Moon, Liberation, Fishes, Swans, Depth, Three Worlds and Whirlpools. In combination with other animals, but often also together. Consider in this regard Sky and Water I and II, Metamorphosis II, Predestination and Two Intersecting Planes.

This last one is from January 1952. By now, Escher has a firm grasp on these shapes and here he also makes them three-dimensional. It results in a combination of two of his major fascinations: for tessellations and for creating the illusion of three-dimensionality on a flat surface. In this woodcut he creates a jigsaw puzzle with his favourite shapes. As Escher describes it in 1959:

‘Two thin, flat rectangular boards intersect each other at a slight angle. Holes have been sawn in each board leaving openings shaped like fish and birds. The holes in one board can be filled up with the remaining parts of the other board. The jigsaw pieces of the one are mirror images of those in the other.’

From Escher's notebooks: number 18
From Escher's notebooks: number 22

From Escher's notebooks: number 20
From Escher's notebooks: number 80

M.C. Escher, Sun and Moon, woodcut in blue, red, yellow and black, printed from four blocks, April 1948
M.C. Escher, Fish, woodcut in three tones of grey-green, printed from three blocks, October 1941

M.C. Escher, Sky and Water I. woodcut, 1938
M.C. Escher, Metamorphosis II, woodcut in black, green and brown, printed from twenty blocks, on three combined sheets, November 1939 - March 1940


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